A Game of Gazes: A Closer Look at Killer Is Dead’s “Gigolo Mode”

In the aesthetic strategies of Killer Is Dead’s Gigolo mode, Goichi Suda channels a similarly playful farce that works in the register of social and political commentary. The excessive stylization and over-embellished performances of this segment break audience immersion purposefully. This detachment serves as a means to stir a grander awareness of the game’s farce … Continue reading A Game of Gazes: A Closer Look at Killer Is Dead’s “Gigolo Mode”