Need for Speed: Hot Pursuit 2 is my favorite racing game. Since its release over two decades ago, I’ve enjoyed many other games, but Hot Pursuit 2 stands apart for its singularly chaotic sense of spectacle, boasting more aggressive racing and enemy police than any other title in recent memory. Unlike follow-up Need for Speed titles like Most Wanted—which, as its … Continue reading Racing Line: Road Warrior
Midnight Club 3: DUB Edition is a game that exists at the intersection of racing games and hip-hop culture in the mid-2000s, an aesthetic immediately made apparent with cover art that spotlights a Cadillac Escalade and a Chrysler 300C, big hefty vehicles with huge rims and low-profile tires that typically aren’t associated with automotive racing. Unlike … Continue reading Racing Line: The Bling Era
Forza Horizon 2 offered an escape during the spring and summer of 2020, when such joys were badly needed. Its sunny, jubilant representation of a European road trip and music festival conveyed an irresistible nostalgia for better summers spent among crowds of strangers and loved ones. Forza Horizon 2, oddly enough, isn’t really about racing; it is … Continue reading Racing Line: Your Dream Life
So, what does Limbo ultimately mean? What is the game about? Lacking character dialogue or narration, its one-word title serves as one possible anchor for meaning like the title of an abstract artwork, gesturing towards some means for interpretation. Andrew Kauz offers an essay that touches on the common reading of purgatorial limbo and the satisfying ambiguity of the … Continue reading Opened World: Sharp Objects
Say No! More playfully rebuts these toxic frameworks of corporate culture, exploitation, and grind. A comedy game about labor unrest, Say No! More, as its title suggests, emphasizes the power of saying NO. Its core mechanic centers on the ability to blast away onerous coworkers and supervisors by responding NO to their unreasonable demands, causing chaos in … Continue reading Opened World: Refusing Labor
Wolfenstein: The New Order depicts a frightening, globally devastating alternate history of continued Nazi power throughout the mid-twentieth century, with hordes of mechanical beasts and legions of soldiers who have taken over the world after the Allied defeat of World War II. Gunfights are fierce and explosive, conveying the raw power of your fascist adversary. But … Continue reading Opened World: The Hollow Spectacle of Power
For many of us, music serves as the ultimate salve for sadness. Songs about heartbreak, like Robyn’s “Missing U” or Lorde’s “Liability,” are deeply sad songs mired by hurt, but motivated by the belief that things will ultimately be okay in time. This is the emotional register of Sayonara Wild Hearts, Simogo’s rhythm game homage to … Continue reading Opened World: Dancing on My Own
Black Flag plays into our familiar, romanticized idea of pirates, in which Kenway serves as a paragon of roguish masculinity tied down neither to nation nor family. We attribute such archetypal figures with romantic ideals of freedom, youth, and adventure. When we think of pirates, we often think of alluring, wisecracking men from the Dread Pirate … Continue reading Opened World: Men Who Are Boys
Through Abby, the game gestures towards new paths. Abby, daughter to a Firefly doctor murdered by Joel in the first game, leads a revenge mission to Wyoming with a small posse, brutally dispatching Joel in front of Ellie. His murder prompts Ellie to follow them back to their Seattle headquarters to kill them all in … Continue reading Opened World: Let’s Go Home, Abby
Interview by Miguel Penabella Originally conducted December 12, 2019 Edits and introduction written September 1, 2020 When I caught up with artist, professor, and game maker Everest Pipkin late last year, they were wrapping up a semester of teaching but still finding new creative outlets for their talents and expertise. Outside of the college classroom, … Continue reading Player Two: An Interview with Everest Pipkin
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